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Hiding Magick in Plain Sight, Through the Power of Nature and the Self

There have been numerous attempts at reconnecting with nature, and seeing nature as part of our physicality/psyche, especially when understanding the self and the power of knowledge by allowing our own nature to teach us. The unfortunate rise of dominant religions have forced millions of old religious ideologies to disappear, only to be brought back, more predominantly during the Industrial Revolution. With physics, biology, philosophy and medicine developing into something far greater, and the ongoing feud between religion and science, only a famous few sought the power of Nature in times of need, creativity and devotion. Some people, as I will detail in another essay, hid their ‘pagan and hermetic’ philosophies’ in plain sight, going as far back as medieval Britain, the Renaissance and the period of the Enlightenment. A few poets took a particular interest in writing about Nature as a separate entity, with an emotional tie to every individual who ever lived. William Wordsworth is one prominent writer who often described nature as his lover and teacher, and as I will detail below, his judge. Seeing nature for what is, seeking the emotional power one perceives from it, allowed people to realise their own ambitions once again, as we will see.

It became evident during the Nineteenth Century that people should live regimented lives, according to the government, especially in the UK. This was a time of the Industrial Revolution, and people from working class, or poorer backgrounds were at the forefront of building and maintaining an empire held up by them, for the ruling classes. For a group of artists from all over Europe, and the Americas, came an influx of genius through art, music and poetry. This period is known as the Enlightenment, based on the philosophical wonders of mans’ re-connection to Nature. Nature was vast, and could over rule anyone by reminding them that man did not have control. One example comes from The Prelude, by Wordsworth, where the narrator reflects on a time where Nature was all powerful when he was hoping to laze about relaxing:

'One summer evening (led by her) I found
          A little boat tied to a willow tree
          Within a rocky cave, its usual home.
          Straight I unloosed her chain, and stepping in             360
          Pushed from the shore. It was an act of stealth
          And troubled pleasure, nor without the voice
          Of mountain-echoes did my boat move on;
          Leaving behind her still, on either side,
          Small circles glittering idly in the moon,
          Until they melted all into one track
          Of sparkling light.'

This short passage, also very well known, details the act of taking a boat out from the shore. This boat does not belong to the narrator, but small amount of guilt he feels does not bother him at all. You could say he had the intention of bringing it back, thus “borrowing” it, and also suggest he knew he had the pangs of guilt, but just didn’t care. You can interpret it in many ways, but you can agree he felt naughty. The idea of being “led by her” is the idea of Nature leading him to the shore, and out to view the stars (mentioned from the next line onwards), because he is drawn to her. Later, his awe and guilt get the better of him, and in a way so does Nature:

‘She was an elfin pinnace; lustily
          I dipped my oars into the silent lake,
          And, as I rose upon the stroke, my boat
          Went heaving through the water like a swan;
          When, from behind that craggy steep till then
          The horizon's bound, a huge peak, black and huge,
          As if with voluntary power instinct,
          Upreared its head. I struck and struck again,              380
          And growing still in stature the grim shape
          Towered up between me and the stars, and still,
          For so it seemed, with purpose of its own
          And measured motion like a living thing,
          Strode after me. With trembling oars I turned,
          And through the silent water stole my way
          Back to the covert of the willow tree;
          There in her mooring-place I left my bark,--
          And through the meadows homeward went, in grave
          And serious mood; but after I had seen                     390
          That spectacle, for many days, my brain
          Worked with a dim and undetermined sense
          Of unknown modes of being; o'er my thoughts
          There hung a darkness, call it solitude
          Or blank desertion. No familiar shapes
          Remained, no pleasant images of trees,
          Of sea or sky, no colours of green fields;
          But huge and mighty forms, that do not live
          Like living men, moved slowly through the mind
          By day, and were a trouble to my dreams.’

As you have just read, the power Nature has over the emotions of this young narrator caused him to flee back to the shore and run home. He is haunted by the image of the rocky hill, as if it knew what he had done. The narrator details how Nature can peer right into his soul, and pull out emotions from differing ends of the spectrum, as lust and fear/paranoia. Funny enough, the next stanza beings with, ‘Wisdom and Spirit of the universe!’ – Nature has power, and it’s a matter of recognising it, and working with it, either by science (predicting the weather etc.) or spiritually (by symbolism and philosophy).

Whilst most households during this time were predominantly Christian, this poem reflects the worship and love affair the narrator has with Nature as God. As most Romantics and the Enlightened, found the old classical philosophies about life, death and Nature incredibly inspirational. This is partly why so many classical works have remained today, as there is a valuable and shared truth behind the idea of living a life where you have total control. These ideologies were shared freely from master to student, ensuring the student would later become the master. This idea had caused problems during the destruction and adopted ideals of the pagan world in favour of controlling old religions under one, or several, titles. By taking away the basic rights to individualism, or living will, the modern religions allowed themselves the power of controlling mankind under one shared belief in an all supreme deity, who would/should be far greater than Nature. This idea of “controlling the masses” had become warped, as it was no longer about working together to defeat an enemy or entertainment, it was about actually controlling what people thought, how and who they had to worship (be it God or a priest), and the notion that thinking outside of the box was a wrong. Man slowly became disconnected to nature, and went on living without much hindrance to it, unless it was spoken of with a Christian translation – like I said, feigning the idea the Nature was weaker, and under total control by God.

Referring back to the understanding of the poem, and if you get a chance to read that passage (details and link below), the narrator makes a note of how Nature was, and still is, a part of his human consciousness, or psyche. The fact that a craggy hill, which doesn’t do much besides lay still and erode, has the metaphorical ability to have consciousness and peer into the narrator’s soul, suggests we humans share something with Nature. This thing can be interpreted as magick. As the narrator insists throughout the poem, he sees Nature as a temple, the lover, the teacher and as a Universal deity. Understanding then, that if the Universe (personification of the supreme deity) is a vital part of your psyche, it must then mean that we have the ability to work with, and be part of Nature because we are born with it within. It is tapping into that magick and allowing ego to teach us how to live with it, which causes so much panic and fear in the controlling environment. As long as Nature allows us to think and feel for ourselves, we will ascend from a primitive base to the stage of master.

Sy Calaelen

I will go into further details about how understanding magick, and how to use it at a later date. Thank you for taking the time to read my essay – it is only a small part of something I have been working on for some time now.

The Prelude’ – William Wordsworth, Bartleby.com (scroll down to line 357, beginning with ‘One summer evening’)

William Wordsworth


Hermeticism and Me | The Principle of Polarity


Lethe (Photo credit: Sasha Chaitow)

“Everything is dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled.” — The Kybalion.

This is by far one of my favourite principles, because of its simplicity and complexity of duality, polarity and living your life through paradoxical means. This principle does not embody the idea of opposing factors that aren’t fully connected, but rather that these opposites need each other to function. They balance one another out, so in a way they are identical in nature, as mentioned above.

Exempli gratia, black and white. For the magician, black and white have highly significant connotations to ritual or qabalah. They are never seen as separate poles, as each physical pillar holds complex symbols that cannot be charged without the other. You can’t work one kind of magick, without being taught how to work another kind, you need both. The same goes for understanding both light and dark energies, as they are both needed to be understood in order to fully work one or the other. It’s lovely spending your whole life wanting nothing but the light, but you have had to experience the dark at some point in order to fully experience the light, or vice versa.

Think of polarity as a paradox: how can you truly indicate where happiness stops and anger begins? You can argue that in order to feel a shift from one emotion to the other, there is a halfway point, but there isn’t a true indicator of how and when you physically change. You merely stop yourself laughing, and then head down the other end of the pole, to anger, and vice versa. You are still on the metaphorical pole.

The principle itself presents the idea that instead of separating one thing from the other, you must realise and accept that they are in fact made of the same stuff, and they live coherently with one another. This is the beauty of old ideals, before the rise of modern religions separated good and evil. The night is always darkest before the dawn is one quotation I’ve grown up remembering. Wherever one element is, its polar (pole) opposite isn’t far away.

One way to put this into a magickal context, at least for my own study over the last decade comes from the idea of discipline. I have dedicated my life to living, and in order to do so I’ve had to make a lot of choices I wouldn’t normally like to think about doing. When I first started practicing I was doing the odd spell here and there, without really committing myself to a regular regime, and nor did I fully understand the implications of what I was doing. I was 11/12 years old after all. It took me another year, when I was 13 to stop practising spells and spend the year studying and writing. After that, I made it a personal mission to spend at least 50% of my time studying witchcraft, and 50% practising it. The benefits were amazing, and it was all down to be able to understand the physical nature of spiritual truth, and experiencing spiritual connectedness by understanding magick. I’ve stuck to that plan my whole magickal life, so you can imagine my shock when I came across the Kybalion and read this principle.

I guess all I can say about this axiom is, don’t spend your time trying to separate or runaway from something that seems wrong, especially as a lot of pagans are quick to judge those who follow “apparently” darker paths. You may need to experience the dark side once in a while in order to reap the benefits of the light. At the same time, practice and study, even when you don’t want to. If you put in the effort during those hard times, it will save you having to catch up later on, and you will be more blessed. Its polarity + common sense + discipline = ultimate flexibility.

In LVX and NOX, 93s

Past posts in the series:

I had a huge break as so much was going on at the time, and then I lost the rest of the  posts I was hoping to edit and publish. All will open in new windows.

Hermeticism and Me | The Hermetic Principles – August 2012

Hermeticism and Me | The Principle of Mentalism – August 2012

Hermeticism and Me | The Principle of Correspondence – August 2012

Hermeticism and Me | The Principle of Vibration – September 2012


The Golden Dawn | Israel Regardie


‘The Golden Dawn’

Published: 1937

6th Edition: 1989

Packed to the brim with a detailed insight into the workings and mystery that was the original Hermetic Order of the Golden Dawn. There are so many valuable lessons in each short chapter, deep with symbolism and intrigue ranging from the various sacred alphabets and their symbolic meanings, colour scales, codes and blinds and the various rituals that are to be performed for each adept at each grade. This compendium details ceremonial magick at it’s been from the late Victorian era through the industrial right up to pre-WWII. Full of theories, instructions and notions this book will give you two things, insight into the life and thoughts of these magicians and hopefully inspiration to create your own magickal workings. Some say this book is a wonderful back bone edition that teaches you the very basics of Hermeticism theoretically and practically, but also a book that many found inaccessible. It’s up to you how you would use it. For me, I have had success with many practices and meditations I have put together myself using various tables of correspondence, and this book inspires me enough to delve deep into old mysteries, and even ancient ones too.

As for the H.O.G.D this book is great for the reader to understand their methods, and I believe a lot of the information within is still being performed and taught today by current orders. I found a lot of parallels with modern magick and witchcraft with the current authors being heavily inspired by this book and its methods. A rather chunky tome it can be a bit too bulky for your average handbag, but it is valuable. The front cover design is simple yet meaningful with the hexagram within the circle engulfed by fire and water (red and blue) – colour correspondences’ are detailed within.

There are lots of subjects that covered in each chapter, ranging from the spiritual and psychological study of tarot, Enochian magick, Qabalah, Hermeticism (obviously), Rosy Cross theory and ritual, Qabalistic Cross and the LBRP, altar set ups and much more.

I will score it a three out of five because of how amazing this collection is, but if you aren’t well versed in magick, high magick, Qabalah, Hermeticism or ceremonial magick this can put you off a little. A few folks I know have copies, but have yet to read them and one has told me he wants to cover the basics before tackling this tome. I love this book,  I have used it to create my own simple rituals, so secretly I’ll give it a personal 4.

My rating: ★★★☆☆



I Like Magick Art; Reading Beneath the Paint

Today’s quotation is from me,

It’s okay not to understand my madness, my path or magick. I don’t expect anyone to. Magick is for the soul; not a group of people trying to use one mouth. Be respectful as I have; you may learn a thing or two about your own lineage or path, like I have. Don’t point out your flaws, unless you are wanting to change your ideas (or grow). I point out my flaws because I crave to learn for myself, otherwise I’ll be chasing my tail forever. ~ Sy Calaelen

“If you have nothing nice to say, don’t say anything at all.”

Hopefully most you heard that old adage as children. Hopefully most of you understood the beauty in that gem. Hopefully most of you won’t have a freak out or start pointing fingers; just sit back, relax and smile.

I am passionate about magick and its liturgy; you know this, as I never shut up about it. I love the beauty of an image that reflects the esoteric secrets the artist was thinking about at the time. When I come across a piece of art, with blatant occult symbols all over it I like to decipher the image for myself. There are tons of images you can search for, that reveal hidden truths. Some of my favourites are part of the Hermetic arts, in which you find pictorial references to the old axiom “As above, so below; so below, as above,” (shortened) of the up facing triangle and its opposite. I have a small reference to an order of Hermeticists tattooed on my wrist with the inescapable XX. I take a great pleasure in finding these pieces as they allow me to delve deep into their secretive keep, right in front of my face.

Aside from the formidable Hermetic art, there is the mysticism found in many other works. I love constantly reading up on the chakras, meditating on them, balancing them, performing mantra with them, but the one image from the Eastern world that has taken a slightly weird seat in the west (due to the influx of watered down New Age mythos and whale music) is the Third Eye, or traditionally known as Ajna (sadly, when you look at modern versions, the Third Eye is always located where the Fifth Eye is located). The Third Eye is known for its connectivity of the mind with the universe, and also a sign of brotherhood, in the sense that the Universe/God has given you and your spiritual brothers and sisters knowledge through that point and the Fifth; but that’s more of a Western esoteric viewpoint.

The image below, is a just an example of the collection of images I have been printing and collecting for my own pagan academics. I love the exquisite detail on her face, the definition of the shadows around her and in the background. The most noticeable imagery on the piece are the horns (what does it mean symbolically to you?) And the Third Eye. Now, don’t get me wrong, I understand a large quantity of pagans out there would see this image and puke, based on the fact that it looks “ugly” (as one person put it), but I also realise a lot of these folks don’t know very much about magick. You are supposed to read the image from the outside and then in; that is how you decide for yourself whether to appreciate art for arts sake or not to. Don’t make a fool of yourself by trying to point out that images like this are “weird/uncool”; take the time to appreciate that some magickal folks prefer serious practice and study, than most.

Life isn’t all dolphin sounds, light and fluffy colourful flowers. Once you see the light in the dark, you’ll see true beauty and feel true power.




Thelema & the Polarity Road Block

[Ed. I was supposed to publish this last Friday 30th November, but due to the lack if Internet access it has been postponed until today. Bare in mind, it is a few days old. The feelings I had then have subsided a bi since.]

It seems all that I have been learning, and noting down has been pretty good since that eventful change in May. Ever since Book 4 crept into my dreams, it took me a month to finally get my arse back down to Atlantis Books opposite the British Museum, to purchase it. Most of you know what happened, either from the video or the post about how that invisible spirit kept urging me to do a reading, to prove to myself that I needed the book (since I wasn’t listening to it much at the time). This “spirit friend” has been around for as long as I can remember, helping me out with mundane decision making, or just being a shoulder to cry on. I have no idea what it is, but up until recently I just assume it is a manifestation of some kind and most probably not my HGA. Sad face.

I squealed before about how much my path excites me, and how rare I find trouble or difficulty pulling intelligence out of the bullshit that is out there. I have found myself in a place that is pure, refreshing and second nature. I could write up a ritual within minutes, plan it and perform it within days or weeks. Magick has become so normal in my life, that I literally breathe it. I mean that in both ways, spiritually (living it) and fundamentally (understanding it). For me, my life has taught me that you need both ends of a pole to fully grasp it. For those of you who have access to the Kybalion, refer to the Principle of Polarity—“Everything is dual; everything has poles; everything has Its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled.”–The Kybalion. Otherwise, think of life/spirituality/magick like a pole. At one end you have theory, which involves books, knowledge, philosophy and your own thoughts. At the other end you have magick, which involves practice, meditation, ordeals and your own methods. You need both ends to balance equally so you can hold the pole on its side. If you go from one extreme to the other, it will be a struggle to get back to the centre – that’s natural and spiritual gravity, dear.

Naturally, as stated before, magick and theory are easy for me. I do hype theory more to you folks because that is one area which is overlooked by the majority and New Age practitioners. I just assume the phrase, “Without theory, you wouldn’t have knowledge; without knowledge you wouldn’t have magick; without magick you wouldn’t have theory.” Its a phrase I coined when I gave a small talk at a moot years back about why common sense in magickal practices is so paramount. It couldn’t be more useful now. I am learning a lot about Thelema, the theory behind it and I am stripping away at the mindset of Crowley. I am loving every second both intellectually, and physically.

My body reacts to what my spirit is guiding me to. If I try to look up my old notebooks on Celtic magic, my body will immediately start to shut down and become lethargic. My guide is saying I shouldn’t bother, and deep down I know why. It’s as if the chemicals in my brain are fine tuning themselves to listen to what spirit commands, by storing away the old lessons, and only keeping the needed lessons afresh. So, Thelema is constantly keeping me alive. It sounds corny but I feel Thelema in my blood and it feels good. As much as I want to better my mind, and get to the nitty gritty of theory, my practice is letting me down.

Sadly, I am failing utterly at the practice. Partly because Crowley writes in a manner that is sometimes mind-boggling or inconceivable to most, and partly due to how hard I am punishing myself. My confidence has grown a bit more since taking up more of an official relationship with this religion, but my excitement has also pushed me down to the cold, hard ground. I attempted to film myself doing the LBRP yesterday, to the utter dismay of a magician buddy of mine. He isn’t a Thelemite, but he does look to Crowley’s works for other insight. He has been breaking down the LBRP for me over the last few days as I have been screwing up enough already. He has been cool, emailing me tips, advice and other versions, but my childishness and nervousness got the better of me and I fucked up. Thankfully, the Angels seem okay. The Gods of each quarter too, as nothing bad has happened. I am just gutted at myself.

I want to be as good as I was before. This whole feeling of being “new” is bugging me like crazy. I am a witch. A mild occultist of 13+ years. My whole life has been one spiritual creation, in my garden of truth; so why after all this time and experience have I hit this road block? Why am I suddenly unable to apply the Principle of Polarity here, and see both ends well enough to find my balance?

I was asked by another friend why I beat myself up about something he considers fair and small. To be honest, I beat myself up because I am on my own. That is what I am used to. I got myself this far (and my spirit helped, and the Gods, so I’m not technically alone). I don’t have anyone to impress or anything; it’s just determination. I have to believe in myself. It doesn’t matter how many people I meet along the way, I am the only one paying my metaphysical mortgage. I could love someone so much, and help them, and friend them and hate them all at the same time, but their enlightenment will be down to them, and them alone. Thelema has become my lust, but for the first time in my life I feel the need to fight for it to love me. Love, not Lust.

I am glad I know so much about magickal theory, the polarity of essence and practice. I just need to get this new work right.

I guess this ordeal isn’t over any time soon.

Love is the Law, 93, 93/93 x


Hermeticism and Me | The Principle of Correspondence

“As above, so below; as below, so above.”–The Kybalion

This Principle embodies the truth that there is always a Correspondence between the

laws and phenomena of the various planes of Being and Life. The old Hermetic axiom ran in

these words: “As above, so below; as below, so above.” And the grasping of this Principle

gives one the means of solving many a dark paradox, and hidden secret of Nature. There

are planes beyond our knowing, but when we apply the Principle of Correspondence to them

we are able to understand much that would otherwise be unknowable to us. This Principle is

of universal application and manifestation, on the various planes of the material, mental, and

spiritual universe–it is an Universal Law. The ancient Hermetists considered this Principle as

one of the most important mental instruments by which man was able to pry aside the

obstacles which hid from view the Unknown. Its use even tore aside the Veil of Isis to the

extent that a glimpse of the face of the goddess might be caught. Just as a knowledge of the

Principles of Geometry enables man to measure distant suns and their movements, while

seated in his observatory, so a knowledge of the Principle of Correspondence enables Man

to reason intelligently from the Known to the Unknown. Studying the monad, he understands

the archangel.

~ taken from The Kybalion by the Three Initiates’

I had to copy up the whole excerpt in hopes that you all understand, otherwise I would have ended up repeating what was written here. I’m lazy, forgive me.

Here is a little doodle demonstrating how and why I take this principle seriously:

A very bad example, rather than XX, two arrows showing up and down.

As you can see, with reference to the Principle of Mentalism, we are connected to the THE ALL/Universe/Supreme Being, but what we project from our minds, actions and will affects the cosmos or ‘eco system’ on a bigger level. I am firm believer in tools and ingredients when working spells and/or rituals, because what you manifest into existence comes from will and the energies that flow in and out of us and the tools we use. Us + Tool (with meaning) = manifestation. It is easy you conduct something without using tools, as our minds (being open and connected to THE ALL) already have the energies or ‘power’ we need. However, when you use a tool knowing what its tiny significance means in the large spiritual picture you are already vibrating on a higher level. Have you ever heard someone say that using tools lowers your magickal IQ? If you have, be blunt and tell them where to get off. If anything using tools helps push you up higher, but you don’t need to use them all the time if you do not wish to.

This text also refers to the fact that it doesn’t literally mean ‘tool’ in a physical sense, but refers to the mind as the tool. Our thoughts and actions are important in how we are to be perceived. Buddhists constantly tell you to work on your inner self before considering going out and fixing other people. Through meditation, yoga, mantra and any other spiritual path which helps open one’s eyes to what is in front of them, helps you see that it’s you that makes your world go round, no one else. Others will come and influence you or your decisions but ultimately you hold the key, as I mentioned in the previous post. What you will into existence today will cause a new outcome tomorrow. If you keep saying to yourself “I’m not good enough because I am not intelligent enough,” then chances are your mind won’t change tomorrow, if anything you’ll feel worse if not the same. ‘Will’ sends ripples or vibrations through time and they will affect you. I’ll go over vibrations in a later post.

My little work area where my technology is all neatly set up/stored I have orange and yellow candles everywhere. I have the Mandarin & Tangelo oil for my oil burner both from The Body Shop close by to inspire passion, creativity and inspiration for my written works. These little correspondences seem like nothing, but they help me focus and through them I am able to write passionately for you guys. If I were to get rid of them, I’d be fine still, but they are a nice physical reminder that without my mind, and without the knowledge that my mind is connected to the Universe, I wouldn’t be able to do very well.

Hopefully that makes sense…? That is how it is perceived for me but my views may change a year from now, who knows.

Sy x

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Hermeticism and Me | The Principle of Mentalism

THE ALL is MIND; The Universe is Mental.”–The Kybalion.

This Principle embodies the truth that “All is Mind.” It explains that THE ALL (which is the

Substantial Reality underlying all the outward manifestations and appearances which we

know under the terms of “The Material Universe”; the “Phenomena of Life”; “Matter”;

Energy”; and in short, all that is apparent to our material senses) is SPIRIT, which in itself is

UNKNOWABLE and UNDEFINABLE, but which may be considered and thought of as AN

UNIVERSAL, INFINITE, LIVING MIND. It also explains that all the phenomenal world or

universe is simply a Mental Creation of THE ALL, subject to the Laws of Created Things,

and that the universe, as a whole, and in its parts or units, has its existence in the Mind of

THE ALL, in which Mind we “live and move and have our being.”… An

understanding of this great Hermetic Principle of Mentalism enables the individual to readily

grasp the laws of the Mental Universe, and to apply the same to his well-being and

advancement… With the Master-Key in his possession, the

student may unlock the many doors of the mental and psychic temple of knowledge, and

enter the same freely and intelligently. This Principle explains the true nature of “Energy,”

“Power,” and “Matter,” and why and how all these are subordinate to the Mastery of Mind.

One of the old Hermetic Masters wrote, long ages ago: “He who grasps the truth of the

Mental Nature of the Universe is well advanced on The Path to Mastery.”

~ taken from The Kybalion by the Three Initiates


This explains it all to be honest. When I first read this I didn’t quite understand it. I had to pull apart the first half of the paragraph just to understand where the writers where coming from. From a philosophical point of view, which is the best way to examine a text such as this first hand, the idea they have set fourth is actually very simple. They mention the phrase ‘THE ALL’ which is used in reference to the substantial reality in the Universe. Think of it like this, when witches, magicians or New Age folks say there is a flow of energy in everything that is living, moving, still etc and that energy comes from ‘God’. At the same time, we ourselves are living physical proof that such energies are flowing in and out of us too. That is a great theory, and one I must question because of its misinformation of where that energy comes from, or how it got there in the first place. Scientists, psychologists etc are running their own tests, but as a witch myself I have a firm belief that the energetic bond I have came from THE ALL or the Universe, which simply put is bigger than our ideas of ‘God’. The reason I think this steams from two areas, one being the fact that there are lots of atheist magick practitioners out there who perform successful spells/rituals without the use of a deity’s name, or belief in one. Secondly, the very basic philosophical theory by Anselm which suggests our ‘ideas’ or ‘perceptions’ of God are worthless as God is That To Which Nothing Greater Can Be Conceived or shortened to TTWNGCBC. So, if you think about it THE ALL refers to a supreme being who is infinite, absolute, immutable and eternal. For those who are philosophy students, I am referring to the idea that God/THE ALL is beyond what Theologians would argue, which has been disproven too many times to count.

With the basic understanding that energy flows in, our, around, from and into us from the Universe, all we need to do now as Hermeticists or occult practitioners is understand our mind is our most powerful tool. Opening your mind and eventually your body, to the wonders of magick, thought and philosophy is the starting point for our magickal path. Once you are able to grasp how massive this Universe could be compared to your tiny living self, all you need to do is let THE ALL inspire and teach you. Get connected to that spiritual modem of sorts and see where it leads you. Everything you do, even in the mind when you are unfolding thoughts and magick, you are deepening the bond between your mind and THE ALL. Only you hold the key, and if you didn’t know that already then I’m telling you now.

Sorry to bring up this guy yet again, but Aleister Crowley was a big fan that an individual on a spiritual path should always go it fairly alone. Do what you need to, learn, have fun but have sense. I like the idea that his law being “Do what thou wilt shall be the whole of the law,” definitely comes into play with this first principle. How would you know what real magick feels like if you don’t leap out of the circle one day and just start a fresh? I remember going to the park over at Hampstead and just laying on the grass looking up at the sky. I wasn’t focusing on anything that I could see in particular, but I remember draining out the sounds of London, the dogs walking by and my friends who were nattering away to each other. I was listening to the wind, feeling the grass with my fingers and wondering what it would feel like to fly all the way to the edge of our atmosphere and float all the way back. For me, that is what magick feels like when it courses through my body, or at least what it feels like when I finally know my place in the world does matter and THE ALL got me there.

There’s no turning back for me =]

My video on ‘Do what thou wilt...’

Sy x

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